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by Jimmy O'Hara  Source: Silent Night, Deadly Night 4: Initiation - Official Trailer 5. Silent Night, Deadly Night 4: Initiation (1990) In the subversive fourth sequel to the 80s Santa-slasher franchise, the jolly nosed, ax wielding maniac is replaced with a cult of lesbian coded witches who worship satanic bugs during the sacrificial holiday season.  Source: Silent Night, Deadly Night 4: Initiation - Official Trailer Sex, hedonism, and body horror, all staples of any Brian Yuzna film, are on full display in this nastily gory and disgustingly stunning showcase of costuming, make up, and practical and visual effects.  Source: Silent Night, Deadly Night 4: Initiation - Official Trailer Fans of cult film Society (1989) will be pleased to realize Yuzna is able to utilize his signature gnarly style in horrifyingly staunch juxtaposition against the cheery holiday setting, creating an unforgettable, self-contained sequel installment that is able to stand on its own two…or six…legs. 4. Adult Swim’s Yule Log (2022)  Source: Fireplace Yule Log | adult swim Charmingly surreal, psychedelically horrifying, and effectively hilarious; all the renowned trademarks of THE Adult Swim network! And throwing in a surprisingly evocative dive into historical fictitious lore, an equally nuanced subtextual analysis of class divide, and the perfect hint of extra-terrestrial cosmic horror ensures this found-footage horror-comedy TV movie will warm horror lovers of all ages on one of those cold summer nights. Whether on vacation like the main heroine, or just trying to dream of cooler, winter days ahead to get you through the hot July, an annual Yule Log viewing is the perfect untraditional tradition! 3. Cuento de Navidad (2005)  Source: CUENTO DE NAVIDAD (Películas Para No Dormir) - Trailer español Is there anything more horrifying than the loss of youthful innocence? In many Western cultures, the myth of Santa Claus is held most dearly by the youngest and most innocent within society. Fitting that this Spanish Santa-slasher indie film would use the jolly holiday as a chillingly naughty allegory for societal greed, human corruption, and animalistic vengeance surrounding a group of poor, young children looking to get rich quick in time to get everything they want for the holiday season. Layered, sympathetic, and brutal.  Source: CUENTO DE NAVIDAD (Películas Para No Dormir) - Trailer español 2. Anna and the Apocalypse (2017) Joy to the world, peace on earth, and goodwill to all men and…zombies?! This critically acclaimed, Scottish indie horror-action MUSICAL (and future cult classic) has enough energy, heart, and meat (pun intended) to remind viewers of the true reasons for the holiday season!  Source: Anna and the Apocalypse Official Trailer There's plenty of suspense, horror, and gore to keep every horror lover engaged as well! Anna and the Apocalypse is a profound display of indie filmmaking, musical storytelling, and genre exploitation coming uniquely together to create a wholly original and subversive, yet classic, modern-day epic of adolescent, apocalyptic, and acoustic proportions! Anna and her merry band of survivors will make you laugh, cry, and sing along all summer! 1. Silent Night, Bloody Night (1972)  Source: Silent Night, Bloody Night (1972) - Trailer A horror masterpiece that must be experienced to be believed, Silent Night, Bloody Night is a holiday gothic nightmare filled to the brim with mood, atmosphere, and period allure. A haunted old mansion with a sinister backstory, a small-town urban legend turned deadly conspiracy, and a violent, ax-wielding psychopath leaving threatening phone calls ties an ensemble of colorful victims together in this early proto-slasher gem. Featuring Killer POV shots predating Black Christmas (1974) and Halloween (1978) that effectively crafts a visceral, slow burning sense of dread that meanders within the stone halls of the haunted house, lingering throughout the film to yield a sense of voyeuristic intimidation.  Source: Silent Night, Bloody Night (1972) - Trailer A predator stalks its prey! The murder mystery is heavily stylized, atmospheric, and reminiscent of golden age Italian giallo classics (think your favorite Argento). It also serves as an early blueprint for the American slasher craze that would soon begin to BOOM in the latter half of the 70s decade; conventions of which would be imitated in more famous titles like Black Christmas (1974), When A Stranger Calls (1979), and, of course, Halloween (1978). And the entire drama unfolds to the most deliciously foreboding score that dances along with the dialogue, adding to and/or diluting the suspense in waves; it successfully matches the trepid uncertainty contained until the final moments.  Source: Source: Silent Night, Bloody Night (1972) - Trailer It is in these last beats of the films where the true horrors are revealed in incredible German expressionist silent film era glory - the iconic hymn after which the title is named chimes in minor harmony with the credits. A full circle ending that calls back to the opening title card sequence.
The action of the plot in between these cyclical moments, self-contained to two Christmas Eve nights exactly two decades apart, starts and ends with the famed holiday. Christmas comes and goes every year, and it will come again. Just like the horrors of life, none of which care about ruining the holiday season!
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 Connie wrote me a letter. She’s a cat, so this is a metaphor. She sent me a message through her squinty little eyes: You idiot, said Connie’s Eyes. You promised them these Bitter Bites weekly. What’s a week in wolf years? Four weeks? Two months? Connie’s Eyes are always this combative and degrading, yes. But perhaps I deserve it! Whatever the case may be, I’m sorry for the delay, and here’s my most recent assembly of horror goodies: I watched two movies with Sean Harris recently, A Lonely Place To Die (2011) and Possum (2018). One’s about a climbing trip gone wrong, and the other’s about a climbing, trippy spider puppet with a doll’s head named Possum. The puppet is creepy as shit. I’m not going to spoil it here but take a wolf’s word for it. As a result of Possum's oppressive nature and general creepiness, Sean Harris makes this face a lot:  Source: POSSUM Official Trailer (2018) Frankly, I’d rather die in a lonely place than succumb to this Possum, but Sean Harris can still be scarier than either of those options! Down (2001), Dick Maas’ remake of his own 1988 movie The Lift featuring several authentic New York accents and Naomi Watts, James Marshall, Ron Perlman, Michael Ironside, and Edward Hermann. Elevators start acting up in a building with 100+ floors, and I mean really acting up. These elevators are possessed!  Source: Down (2001) Trailer Down features some of the most delightfully outrageous death sequences, and nobody is safe! Not old people, blind people, children, dogs (okay, sorry about this last one, everybody). An elevator drags one poor gentleman all the way up to the 100+th floor and spitoons him out right over the edge. The mounting absurdity overflows in abundance, making this a very fun movie to watch. As Ron Perlman says, “We live in a vertical world! If you can’t trust an elevator, what the fuck CAN you trust?” I agree, Ron Perlman.
Now let's talk Bruno Mattei's The Tomb (2006). An archaeology team goes to Mexico to study ancient Mayan culture and hunt for buried treasure! It's silly but has some entertaining action and horror sequences. I love Bruno Mattei, and I love Cruel Jaws, the only shark movie I’m aware of that pays homage to Star Wars by blatantly stealing its theme song! The Tomb takes a similar approach, embracing the idea that imitation is the sincerest form of flattery by merging narrative and visual elements of The Mummy (1999) and From Dusk Till Dawn (1996). Do those seem like very specific references? Well, this movie features a rip-off of the entire Salma Hayek dance scene from FDTD, so you tell me! For this reason alone, I'd say the movie is worth watching.  Source: Children of Sin (2022) - Official Trailer With Children of Sin (2022), director Christopher Wesley Moore delivers a twisted tale of religious trauma! Nothing brings out the bitterness of one particular wolf more than digging into the roots of extreme fundamentalism, and this one packs a punch. A pair of siblings gets sent to a retreat to be cleansed of their sins and set back on a path of righteousness chartered solely by a singular old woman who lives alone with her beliefs and her secrets. Never a good start to your day but ALWAYS a good start to a horror story!  Source: Children of Sin (2022) - Official Trailer Jo-Ann Robinson shines as the pious headmistress, whose faith is so powerful, it causes her to run around terrorizing teens and waxing poetic in christo-crazed reveries! I’ve written in human form about how much I love Jo-Ann Robinson, and it’s fun to watch her take on a very different role from the one she tackled in When the Trash Man Knocks (2023). That’s it for now, greasy humans! Watch these movies, or they may watch YOU instead!  by Jimmy O'Hara “Freddy’s here and he’s…queer?” The year is 1985, and Freddy Krueger’s deadly streak has returned to the satanic-panicked homes of Elm Street. This time, he’s back with a vengeance that’s gnarlier, more imaginative, and more gay?! Yeah, more gay than he, or any slasher masked villain icon, has ever been before on the silver screen.  Source: Nightmare On Elm Street 2: Freddy's Revenge (1985) Official Trailer A Nightmare on Elm Street 2: Freddy’s Revenge (1985) is widely regarded as the lackluster follow up to the pop culture and blockbuster monolith that was its predecessor and subsequent franchise creator. But to its gay star, gay screenwriter, and gay fans, it's a sexy sequel full of fabulous pride! Scream, Queens! Freddy is back to SLAY! The queer imagery explodes off the screen from the moment the credits begin to roll. The allegorical bullying on the yellow school bus ends with an absurdist nightmare death sequence with Freddy that propels our lead, Mark Patton’s Jesse, into a sexy cold sweat in his even sexier tighty-whities. A Kate Bush poster on the wall above his bed, a “no chicks allowed” sign on the bedroom door, and a baseball shaped lamp that quite literally looks like a cock! Could it get any GAYER!? Yes! A quick cut to Jesse in gym class with sweaty thirty three year old models playing high school extras in jockstraps, short shorts, and certified 80s midriffs. Jesse’s new to Elm and this school, and his new frenemy Ron teases him about their teacher hanging out at “BDSM clubs and liking pretty boys like you”.  Source: Nightmare On Elm Street 2: Freddy's Revenge (1985) Official Trailer / Imgflip Luckily, Jesse has a straight, popular girl crush, Lisa, to help him navigate it all. So why is Jesse struggling to commit to her for…unexplainable reason?! Even more unexplainable, Jesse’s dreams have become increasingly violent. As the nightmares get more vivid, so does the homosexual subtext! The most overtly queer sequence is without a doubt Jesse’s first DEADLY nightmare. Jesse dreams he finds himself barefoot, shirt unbuttoned, hot and sweaty (he spends much of the film like this) at a leather gay bar where he runs into his Gym Teacher, just as Ron had chided earlier. His teacher takes him back to the school gym to run barefoot laps as punishment (wink, wink), and he watches him from the sideline in his leather daddy vest, assless chaps, and matching leather wrist cuffs. As Jesse hits the showers, his teacher removes a jump rope from his utility cabinet and places it in the seat in front of his desk - presumably to engage in B in BDSM with his student! Questionable 80s morality even for Freddy I guess, as it is at this moment that our infamous nightmare creature sinks his claws into the first victim, Daddy Gym Teacher, by binding him with the jump rope in the showers and whipping him to death. Jesse is terrified. Did he have a kinky sex dream about his gym teacher or did he kill his gym teacher!? As the lines between dream and reality blur throughout the film, so do Jesse’s sexual desires. The homosexual yearning peaks again when Jesse helplessly climbs through Ron’s window (emulating Glen and Nancy in the first film, wink, wink) in search of someone to…sleep with! He doesn’t go to his family or Lisa, but his homeorotic frenemy! Ron lies on leather pillows and sheets, decorates his room with female punk rock bands, and sports a “no turkeys” sign taped to his bedroom door. “No turkeys” can be rephrased for a modern audience as “no posers” or “come as you are” (WINK! WINK!).  Source: Nightmare On Elm Street 2: Freddy's Revenge (1985) Official Trailer It is too late for Ron though, as Freddy quite literally COMES OUT of Jesse and kills his forbidden lover. It is also too late for Jesse, sadly. He has fallen victim to years of crushing repression as result of a life confined to stifling conservative suburbia. It IS a horror movie, after all! A true nightmare on Elm Street that rings far too true for many queer horror fans. Sure, it lacks the structure of the first film, but Freddy’s Revenge is full of queer imagery, subtext, and pride. Perfect for repeat viewing throughout this very special month! Jimmy O'Harais a queer writer, screenwriter, actor, and horror buff from Chicago, Illinois. Dispatches from The Wolf CaveWeek 1: It's a Wonderful Slice (2024), The White Bishop, Creepy Crawly (2022), Mary Had a Little Lamb (2023)I’m back! Sorry I was gone so long, but life doesn’t slow down for anyone. Especially not for me, who seems to be in very high demand these days from the waxing and waning of that gibbous thing in the sky. Connie, what’s a “gibbous”? Some kind of cheese? I knew that thing was made of cheese! Going back and forth between my wolf and human forms can be quite taxing. There’s the pulling and the itching and the stretching and, most disturbing of all, the popping! The Popping of The Teeth, as it's referred to in ancient werewolf lore: The teeth eject themselves and clatter to the floor, leaving my gums flapping in the wind wilder than gramma’s curtains in a windstorm. (Actually, I never knew my granny, which makes it easier to eat yours when she ventures into my woods, muahaha.) Make way for the canines, you sorry excuse for a tooth! I meant my real tooth, Connie; I’m not calling your grandmother a tooth. By the way, speaking of taxing: Did you know that were-beings are taxed at a higher rate than normal citizens, and SINGLE were-beings are taxed even higher? Make it make sense! Anywho, between brooding about the unfairness of life, attending to my cat dad duties, and dealing with a nasty bout of indigestion from a rotten possum, I’ve been slagging behind on my horror movie updates. Consider this the first dispatch from my Wolf Cave! A regular roundup of movies I’ve watched recently that, for some reason, I think you should watch, too. They run the spectrum of low-budget to big studio productions. They’re stories from every decade and every subgenre I can get my beady little eyes on. I’ll look at new directors and horror titans. And I will try to keep my Critters obsession from spilling over too much. It’s shorter this week because I talked so much, but I promise that next week will feature loads more movies. So, let's sink what teeth we have left into our first selections. And don't forget to floss afterwards, you sickos! IT'S A WONDERFUL SLICE (2024) |
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